Johannes Pramsohler and Philippe Grisvard place Bach's Six sonatas for violin and obligato harpsichord in a new historical context and offer an intriguing snapshot of how Bach's immediate successors were influenced by his revolutionary sonata model. At the beginning of this project, the idea was actually to create a kind of counterpart to our album “Bach & Entourage” in which we wanted to present sonatas for violin and obbligato harpsichord from Bach’s milieu. However, during